Thievery Corporation — The Glass Bead Game



Thievery Corporation’s “The Glass Bead Game” is presented here as a refined example of the duo’s trademark downtempo/lounge electronica: spacious grooves, warm dub-inflected bass, delicate melodic lines and an intimate, cinematic atmosphere that invites reflection. The title evokes a contemplative mood, and the arrangement highlights the group’s skill at blending global musical colors into a single, coherent soundscape. As with much of their output, the track pairs electronic production techniques with organic instrumentation and subtle rhythmic touches, creating a listening experience that works equally well as background lounge music or focused, late-night listening. You can listen to this song on our online radio channel.



Thievery Corporation was formed in Washington, D.C., in the mid-1990s by Eric Hilton and Rob Garza. From the beginning the duo built a signature sound that crosses dub, reggae, bossa nova, acid jazz, world music and trip-hop, layering samples, live players and a rotating cast of guest vocalists and collaborators. They co-founded the independent label Eighteenth Street Lounge (ESL) Music and quickly established themselves both as producers and curators of a cosmopolitan, worldly aesthetic. Over the years they have released several acclaimed albums and EPs, scored film and TV projects, and earned a reputation for politically aware themes woven into lush, danceable arrangements. Their catalog includes celebrated tracks that brought lounge and downtempo styles to wider audiences, and their live shows often recreate the albums’ layered textures with guest singers and instrumentalists. This track sits comfortably in that lineage, exemplifying the duo’s long-standing practice of fusing electronic production with global musical influences.



Thievery Corporation — The Glass Bead Game



Thievery Corporation presenta “The Glass Bead Game”, una pieza que sintetiza su sonido downtempo: líneas melódicas etéreas, bajos dub cálidos y un pulso rítmico suave que invita a la escucha atenta. El título remite a una atmósfera contemplativa; la producción combina texturas electrónicas con instrumentación orgánica, creando un paisaje sonoro perfecto para ambientes lounge o momentos introspectivos. Puedes escuchar esta canción en nuestro canal de radio online.



Eric Hilton y Rob Garza formaron Thievery Corporation en Washington D.C. a mediados de los años noventa. Desde sus inicios diseñaron una estética musical que integra reggae, dub, bossa nova, jazz ácido y música del mundo, apoyándose en colaboraciones con vocalistas y músicos de diferentes latitudes. Fundadores del sello independiente Eighteenth Street Lounge (ESL) Music, han publicado numerosos discos que consolidaron su reputación como referentes del downtempo y la electrónica sofisticada. Su obra combina sensibilidad política y cosmopolita con arreglos ricos y detallados, y en directo suelen incluir invitados que reconfiguran las texturas de estudio para la audiencia. “The Glass Bead Game” se inscribe en esa trayectoria creativa, mostrando la habilidad del dúo para mezclar tradición y modernidad sonora.



Thievery Corporation — The Glass Bead Game



Thievery Corporation propose ici “The Glass Bead Game”, un morceau qui illustre parfaitement le son downtempo du duo : atmosphère nappée, basse dub chaleureuse, lignes mélodiques raffinées et une production qui marie instruments acoustiques et textures électroniques. Le titre suggère une dimension contemplative et l’arrangement met en avant la capacité du groupe à fusionner des influences mondiales en un paysage sonore homogène, idéal pour une écoute lounge ou attentive. Vous pouvez écouter ce titre sur notre webradio.



Eric Hilton et Rob Garza ont fondé Thievery Corporation à Washington, D.C., au milieu des années 1990. Leur démarche artistique a toujours reposé sur un métissage musical — dub, reggae, bossa nova, trip-hop et musique du monde — qu’ils enrichissent par de fréquentes collaborations vocales et instrumentales. Co-fondateurs du label indépendant Eighteenth Street Lounge (ESL) Music, ils se sont imposés comme producteurs et programmateurs d’une esthétique globale et raffinée. Leurs albums et performances ont consolidé leur statut d’acteurs majeurs du downtempo, capables d’allier engagement culturel et sophistication sonore. “The Glass Bead Game” illustre cette continuité créative.



Thievery Corporation — The Glass Bead Game



Thievery Corporation apresenta “The Glass Bead Game”, uma faixa que sintetiza o universo sonoro do duo: grooves downtempo, baixo com influência dub, melodias envolventes e uma atmosfera cinematográfica. O título traz um tom contemplativo e a produção evidencia a habilidade do grupo em combinar elementos eletrônicos com instrumentos orgânicos e influências do mundo todo, criando um resultado que funciona tanto como música lounge quanto para uma audição mais concentrada. Você pode ouvir esta canção em nosso canal de rádio online.



Eric Hilton e Rob Garza formaram o Thievery Corporation em Washington, D.C., em meados da década de 1990. Desde cedo construíram um som plural que mistura reggae, dub, bossa nova, jazz ácido e música eletrônica, recorrendo frequentemente a vocalistas convidados e músicos de várias tradições. Como co-fundadores do selo independente Eighteenth Street Lounge (ESL) Music, tornaram-se conhecidos por sua curadoria musical e pela produção de discos que ampliaram as fronteiras do downtempo. Seu trabalho integra sensibilidade política, cosmopolitismo sonoro e arranjos detalhados; em performances ao vivo costumam reproduzir e reinventar as camadas sonoras dos álbuns com convidados. “The Glass Bead Game” encontra-se nessa continuidade estética.



Thievery Corporation — The Glass Bead Game



Thievery Corporation представляет «The Glass Bead Game» — композицию в духе их фирменного даунтемпо: тёплые дубовые басы, просторные электронные слои и нежные мелодические линии, создающие созерцательное, почти кинематографическое звучание. Название наводит на мысль о размышлении и интеллектуальной атмосфере; аранжировка демонстрирует мастерство дуэта в смешении глобальных музыкальных мотивов с электронной эстетикой. Вы можете послушать эту песню на нашем онлайн-радиоканале.



Эрик Хилтон и Роб Гарза основали Thievery Corporation в Вашингтоне, округ Колумбия, в середине 1990-х. С первых релизов они развивали уникальную смесь даба, регги, босса и других мировых влияний, часто приглашая вокалистов и музыкантов из разных стран. Как соучредители независимого лейбла Eighteenth Street Lounge (ESL) Music, они стали заметными фигурами на международной downtempo-сцене, выпустив несколько значимых альбомов и выступив авторами музыки для кино и телевидения. Их творчество известно сочетанием политического сознания и роскошной производственной детальности; на концертах дуэт часто расширяет студийные записи за счёт живых исполнителей. «The Glass Bead Game» — часть этой преемственности в звуке и эстетике.



Thievery Corporation — The Glass Bead Game



Thievery Corporation’un “The Glass Bead Game” parçası, grubun imzası haline gelmiş downtempo/lounge estetiğini yansıtır: sıcak dub basları, genişleyici melodiler ve elektronik ile organik enstrümantasyonun dengeli birlikteliği. Parçanın başlığı düşünsel, sakin bir havaya işaret eder; düzenleme, farklı coğrafyalardan gelen müzik ögelerini tek bir bütün içinde harmanlama becerisini gösterir. Bu parça, hem arka plan lounge dinlemeleri hem de odaklanmış, gece dinlemeleri için uygundur. Bu şarkıyı çevrimiçi radyo kanalımızda dinleyebilirsiniz.



Eric Hilton ve Rob Garza, 1990’ların ortasında Washington, D.C.’de Thievery Corporation’u kurdular. Başından itibaren dub, reggae, bossa nova, acid jazz ve trip-hop gibi türleri birbirine katan, sık sık konuk vokalistler ve dünya çapından müzisyenlerle çalışan bir yaklaşımla tanındılar. Eighteenth Street Lounge (ESL) Music adlı bağımsız plak şirketinin kurucuları arasında yer alarak, downtempo ve elektronik sahnede özgün bir yer edindiler. Yıllar içinde yayımladıkları albümler, sinematik düzenlemeleri ve canlı performanslar sayesinde geniş bir dinleyici kitlesine ulaştılar; canlı sahne performanslarında da stüdyo kayıtlarını davetlilerle yeniden şekillendirmeyi sürdürüyorlar. “The Glass Bead Game” bu yaratıcı çizginin çağdaş bir örneğidir.